(1977)   SOLD

Obtained from the original owner and in excellent cosmetic and working condition, this YP-D6 is an extremely elegant, direct-drive, semi-auto turntable that was second only to the top-of-the-line YP-D8 of Yamaha's upper tier models of classy decks from the mid-to-late 70's. 
(*cash price, no trades)

It has been fully serviced and is now in perfect operating condition, this fine turntable also has a brand new 3D printed spindle gear as shown in one of the photos above.

(NOTE:  one of the most common issues with a lot of turntables (not just the YP-D6) is the eventual failure of the plastic spindle gear.  Hairline cracks eventually appear in the plastic that renders the gear to be useless; it's an integral part of the auto-lift/shutoff process.  Fortunately, there are modern 3D printed gears made of tough compounds that are much stronger than the old plastic gears.  They have the exact same critical tolerances necessary to fit the spindle and do its job.)

The soft brushed aluminum hybrid plinth has a real walnut wrap-around base.  The controls are grouped in a beautiful slightly raised section on the right.  The strobe is in a matching raised housing on the left...an understated yet stunning design.  When it came to motor choice, Yamaha chose the 12-pole, 24-slot dc servo motor which was one of the very best to come out of Japan at the time.

The S-shaped tonearm has a new, high quality Ortofon OM-10 cartridge & stylus.  Because the YP-D6 has such excellent specs like a signal to noise ratio of better than 70dB plus wow and flutter of less than 0.035% wrms, it deserves to have the quality of this Ortofon cartridge as well.

The relatively simple operation is similar to a lot of the Yamaha turntables during this period; the start/stop button was unique to these better units...not quite fully auto but close enough that you don't have to worry about dropping the arm by hand, it's done automatically.  Move the arm to the record, press start and the arm gently lowers onto the record.  At the end of play the arm swings over to rest and the motor shuts off.

At about 24 lbs, it's a heavy table that helps to keep any resonance at bay in combination with the original factory adjustable rubber feet with chrome highlights.   As far as size goes, the YP-D6 is a bit larger than most turntables at 18.5"W x 6.5"H x 14.2"D

About Yamaha...1972 and later
From the famous and powerful Yamaha CA-1000 amp that whipped up a whirlwind and brought Yamaha recognition in the audio world, to the AX-2000A that, after groping around with digital technology, managed a comeback to pure analog.  The very successful "Natural Sound" marketing in the 70's brought Yamaha into direct competition with Pioneer, Marantz and almost all the other great companies of the era.

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('75-'83)  $600

Obtained locally from the original owner, this beautiful Rega Planar 2 is in pristine cosmetic and operating condition. 

The presence of the spectacular, completely redesigned Rega RB220 tonearm on the Planar 2 was a major draw when first released.  The arm is even better with the included brand new Ortofon Red cartridge & stylus.

Drive is via a compliantly mounted AC Synchronous motor with simple phase shift power supply, through an O-ring type belt (the belt is relatively new).

The top platter is a stunning and highly precise *float glass platter.  Instead of a mat that would cover the beautiful glass, the record placed on the platter will sit on unique and tiny flexi-foam pads.  These unique pads will support the record for either standard 12" LP, 10" EP or 7" 45's.  The glass platter sits on a plastic sub platter.  The piano-black gloss plinth features faux walnut on the front and sides.  The dark tinted acrylic dust cover and original hinges are perfect.

*NOTE: Float glass is a sheet of glass made by floating molten glass on a bed of molten tin due to its low melting point. This method gives the sheet uniform thickness and a very flat surface.


The Rega Planar 2 back story:

In 1976, three years after Rega’s creation, the Planar 2 launched as one of the brand's very first turntables. Its S-shaped tonearm was then replaced in 1984 with Rega’s RB250, and at the turn of the century a brand new version of the deck (fittingly named the P2 2000) took its place in Rega’s catalog until 2005.  And the beat goes on...

About Rega...
Rega was founded in 1973. The company's name was formed from the initials of its two founders (RElph & GAndy). Rega are widely known for their turntables – most notably the iconic Rega Planar 3 cartridges and tonearms, and have produced award-winning amplification and speakers for many years.  In addition to manufacturing products under their own brand name, they have also served as an OEM of turntables and tonearms for other companies such as NAD & Rotel.

Rega Research is imported and distributed in the US by The Sound Organisation, based in Arlington Texas.

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('79-'83)  $300

In excellent cosmetic condition and fully operational, this late 70's / early 80's JVC L-A55 turntable was built with solid features for solid performance.  It features a coreless direct-drive motor, JVC's proprietary "Independent Suspension" system, an excellent tonearm, strobe and pitch controls. 
Its operating ease is the first thing they thought of...no question about it.  The L-A55 is a semi-auto, so you don't have to worry about placing the arm on the record; just lightly press a button to gently lower it to begin play.  At the end of play, the arm will return and the motor will shut off.

The JVC automatic mechanism of the L-A55 is foolproof. And it is far more accurate and gentle than your fingers ever could be. There's never a reason to lower the tonearm by hand at any time. 

All of the light touch operating controls are along the front edge and within easy reach even when the dust cover is closed.

JVC used a low-wow coreless DC direct-drive motor in the L-A55 for the sake of speed accuracy. Built entirely by JVC in their own plant, the flawless motor exhibits very low wow and flutter resulting in music that's reproduced pitch perfect.

Tonearm resonance, when excited by warps or eccentricities, even slightly, adds coloration to music, giving a fuzzy edge to it. The balanced "S" shaped tonearm is desensitized to resonance and it also has the original JVC aluminum headshell. Also included is a new Audio Technica AT-3600L cartridge and new ATN-3600 stylus.

The L-A55 has a pitch control that lets you adjust speed up to 3 percent faster or slower than standard. It's a must have feature if you're a musician, amateur or otherwise, for it lets you precisely match the pitch of a record to any musical instrument. Of course, you can quickly return to the right pitch whenever you want thanks to a built-in strobe with neon light.

About JVC (Victor) of Japan...
JVC was established in Yokohama, Japan in 1927 as the Japanese subsidiary of the U.S. firm, Victor Talking Machine Company. They pressed the very first record ever...in Japan in 1930.  One of the more interesting facts about JVC was that they built all their products in-house.  Many other famous Japanese electronic companies farmed out a lot of design and manufacturing to subcontractors.  That alone doesn't mean anything is necessarily wrong with having others build your gear but to have control of the entire process in house was quite unusual.  Plus it saved a lot of money...allowing JVC to provide high quality gear at a lower price than some of the competition.

Their unusual approach to design (for vintage stereo gear) included the extensive use of multi-band graphic equalizers instead of simple bass/mid/treble controls.  The quality of their vintage turntables and electronic gear is mostly first rate and has emerged from being "under the radar" of collectors looking for excellent value.

('78-'80)   $300

In excellent cosmetic and working condition, this JVC QL-A2 turntable was originally designed to compete in the very crowded market of "mid-fi" units in the late 70's.  The QL-A2 is a quartz-locked, direct-drive, semi automatic turntable that has automatic return, reject and auto-shutoff.  

JVC's super dependable quartz-lock Super-Servo frequency generator combined with the "no cogging" corless, direct-drive DC servo-motor are easily the table's best qualities with yields of only -73dB rumble, 0.025% WRMS wow & flutter and a signal to noise ratio of 72dB.  The basic circuit configuration of the QL-A2 is the same one used in their higher end QL-A4 turnable. 

Unique to the QL-A2 (and QL-A4) was the "one row" strobe so you can visually confirm speed accuracy.  Since the frequency is changed with the speed, only one row of calibration dots is necessary.

The S-shaped tonearm features angular contact bearing with oil-damped cueing.  The original headshell comes mounted with a high quality Audio Technica AT-15S cartridge and stylus.

The original factory feet have added 1/2" foam pads to provide vibration isolation.   The satin charcoal plinth with the silver accents and the brand new,  custom acrylic dust cover really does look stylish and cool! This is a really good looking, extremely reliable turntable.

(1978)  $375 (one owner, perfect w/ extras)

In excellent cosmetic and working condition, this JVC QL-A5 turntable was obtained from the original owner and comes with all the factory manuals, documentation, original box and packing materials.

The QL-A5 was designed to compete in the very crowded market of "mid-fi" units in the late 70's.  Not quite top of the line but definitely not entry level either.  The QL-A5 is a quartz-lock, direct-drive, semi automatic turntable that has automatic return, reject and auto-shutoff.  

JVC's super dependable quartz-lock Super-Servo frequency generator combined with the "no cogging" corless, direct-drive DC servo-motor are easily the table's best qualities.  The basic circuit configuration of the QL-A5 is the same one used in their higher end QL-A series of turntables.  Unique to the QL-A5 (and QL-A4) was the "one row" strobe so you can visually confirm speed accuracy.  Since the frequency is changed with the speed, only one row of calibration dots is necessary.

The S-shaped tonearm features angular contact bearing with oil-damped cueing.  The original JVC headshell comes mounted with an excellent Audio Technica ST-800 cartridge and new stylus.

The original factory feet have additional 1/2" thick foam pads to help provide excellent vibration isolation.  The satin finish aluminum plinth with the silver accents really does look stylish and cool!  This is a really good looking, high quality turntable.

Essential specs:
Drive method: direct drive
Motor: quartz locked DC servomotor
Speeds: 33 and 45rpm
Pitch control: +-6%
Wow and flutter: 0.025% WRMS
Signal to noise ratio: more than 75dB
Tonearm: tracing hold type
Frequency response: 10Hz to 25kHz
Dimensions: 6"H x 17.2"W x 15"D
Weight: 15 lbs

About JVC turntables...
JVC was a great manufacturer of audio gear...especially during the 70's. The name had sadly become cheaper in the recession of the late 80s and never really recovered from it. Originally, the Japan Victor Company was once associated with the RCA Victor Company. They built a name providing competing audio equipment at a lower price point than the more established names. 

Their cheap gear was exactly that...cheap. 
But...their mid-fi and upper ranges were very good to exceptional. There is also some discussion about the competition between JVC and Denon turntables. Looking at the higher end turntables of the two manufacturers, there could be some merit, but who helped who is the big question.

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(1980)  $350

In excellent cosmetic condition, fully serviced and fully operational, this Philips AF-829 turntable was the top of the line in 1980 from Philips North America division referred to as "HiFi International".

The linear, low mass tonearm comes with a new Ortofon Omega cartridge and stylus.  One of the very best features on this table is the built-in weight scale that accurately lets you know how many grams of weight the stylus is tracking with.  The quartz lock display is measured with red LEDs on the front panel and all the controls are pressure touch buttons.

The AF829 turntable is front operated, direct control, and fully automatic. Their direct control was a new system combining the advantages of measuring the actual speed at the turntable and the well-known advantages of belt drive, in combination with the subchassis  principle used in earlier Philips turntables. 

The major achievement was bringing the specs to the level of direct drive, but without the inherent problems of direct drive which requires extremely fine construction to avoid rumble, suppress microphony, and decrease sensitivity to shocks. 

Tech info:
The direct control begins rotating the motor at 33 or 45 RPM, as selected. The belt transfers the rotation to the turntable. The speed of the turntable is continuously sensed by the tacho-generator and converted into a voltage, the output of which is fed into the control unit where this voltage is compared to a reference voltage. The resulting difference voltage is used as a control signal to adjust motor speed. Thus in this system all external influences are compensated, including changes in tracking force, different record weights, use of a dust bug, changes in environmental temperatures and relative humidity, mains voltage, and frequency fluctuations. 

Features:
~free-floating sub-chassis
~low torsion tonearm
~tachometer
~speed regulation
~CMOS memories (CMOS, which stands for Complementary Metal Oxide Semiconductor, is utilized for designing integrated circuits. This technology finds applications in microprocessors, static RAM, digital logic circuits, and microcontrollers.  The main purpose of CMOS in a turntable is to store important automatic system configuration.)

Specs:
System:  Direct Control
Operations:  Fully automatic
Speeds:  3.33 and 45 rpm
Wow and Flutter : less than 0,025 (WRMS)
Rumble:  less than 73 dB (DIN B)
Tonearm Type:  Linear
Tracking Error:  less than 0°9' /cm
Dimensions: 18"W x 6.5"H x 14.4"D

About Philips North America...
Gerard Philips introduced Philips & Co. in 1891 in Eindhoven, Holland. Anton Philips, Gerard's brother, joined him to help create a prospering company. By the 1900s, the company became Europe's third largest light-bulb manufacturer. The company began constructing plants abroad by the 1930s, including Philips Electronics North America (known then as North American Philips).  Televisions and appliances were added to the company's production lines in the 1950s. Two years later, the company signed an agreement with Matsushita Electronics for technology-licensing operations. Philips began producing the audiocassette, the VCR, and laser disc technology by the 1960s. In 1974, North American Philips purchased Magnavox as well as a small interest in Grundig, a German electronics company, in 1979. GTE Television was purchased by North American Philips in 1981, followed by the purchase of Westinghouse's lighting business in 1983.  Due to slow computer sales, the company sold its Magnavox Electronics Systems unit in the 1990s. The company also sold its interests in Whirlpool and Matsushita Electronics, and in 1997, Grundig. In 1996, Philips and Sony announced plans for a joint effort to license digital video disk (DVD) technology.

About Philips High Fidelity International...
Philips goes way back to the late 1800's and has always been a respected name in Europe and the Netherlands.  Their early development of loudspeaker technology pushed them into the high end section of audio.  A little known fact: They also invented and developed the cassette tape among other things.  Before they became well known in America, they were a leading maker of turntables, speakers and higher end electronics all over the rest of the world.  When they moved into the North American market in 1974 and purchased Magnavox, they dropped the "High Fidelity International" and became "Philips" and/or "Philips Laboratories". 

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